Vikram and Vedha have represented the right vs wrong, the just vs corrupt in the form of stories of King Vikramadityan and the demon Betaal or Vethalam from our childhood.
The plot follows Vikram – a headstrong, self-righteous cop who sees good and bad as clearly as day and night or so he believes. On the other side is Vedha – a dreamer, driven by situations and angered by the constant fight for dominance in his own world. Priya is the attorney wife and Chandra is a hard talk but good at heart tough lass. The character painting is an extremely complex art which the writer-director duo – Pushkar-Gayathri excels at, just like in ‘oram po’
Madhavan is back with his amazing screen presence and a glimpse of ‘ayitha Ezhuthu’ and maybe a bit of ‘irudhi Suttru’ but the show stealer is definitely vijay Sethupathi. His thoughtful demeaner, the poriki slang and the menacing beard is just perfect. Shraddha Srinath is exceptionally spicy and takes the lawyer-attorney privilege a bit too seriously. Varalaxmi Sarathkumar is praiseworthy in her short and meaningful role.
Although the entire movie is 2 Hours and 27 minutes but the story is very engrossing and the editing is air-tight. The screenplay is very well crafted, P.S Vinod is brilliant in his cinematography and finally Nassar is a smart choice as a narrator. Overall fantastic edge of the seat thriller.
Verdict – ‘saar, oru kadhai sollatuma saar?’ (saar, can I tell you a story saar)
The big question is why? Shahrukh still tries to play the DDLJ hangover Europe settled Desi from Punjab. Why does the camera focus on zoomed-in shahrukh’s nose when the movie is shot in beautiful European locations? Why does imtiaz ali – who is a master when it comes to creating complex mind blowing characters like Geet of Jab we met or Jordan of rockstar or Veera of Highway – create such a unbelievable, over the top and superficial characters like Harry and Sejal ? Why do shahrukh still think that with his quivering whispering voice he can still floor the audience?
This time on there is ‘wheat field hand caressing’ immortal scene of the gladiator as well.
Harry (Harinder Singh Nehra) is a tour guide by day and a womanizer by….well rest of the time that he is not tour guiding. Sejal is a Gujrati girl who is engaged to someone else and has lost her ring. With this premise Harry and Sejal travel almost entire Europe without addressing the elephant in the room. The Elephant being why Anushka agreed to do this movie.
In the entire movie there is absolutely no editing. The story is unbelievably weak and acting by the lead pair is totally over the top. Surprisingly Chandan Roy Sanyal as the bad guy is refreshing; rest of the cast selection is as ordinary, Mukesh Chhabra is the casting director who has done PK, Dangal, Gangs of Wasseypur, etc to name a few feather on his casting cap. Even Pritam fails to impress in the music department.
This entire venture is like few talented people have come together and got in each other’s way and as a result the audience gets to endure the 2 Hours and 24 minutes venture.
Verdict – Why ?
The first question that arises here is – what Mubarkan has to offer which Judwaa, Duplicate, Ram aur Shyam, Seeta aur Geeta and even Rowdy Rathore could not offer. The answer to this question is simply – nothing.
The story is predictable, slapstick comedy is boring, the narration is ordinary, and editing is non-existent. The movie has an official runtime of 2 Hours and 36 minutes. With the kind of content, it could have been wrapped up within the 2 Hours. Ileana D Cruz, Athiya shetty just sits pretty and almost does nothing. In fact, Neha Sharma has a far more confident screen presence than both the leading ladies. Arjun Kapoor does his best. The effort that is put in by Arjun is visibly seen. After ‘half girlfriend’ and this – he is desperate for a hit performance. Anil Kapoor has floored his character as usual. He nails it as the eccentric, go-happy uncle. Ratna Pathak Shah and Pavan Malhotra are impressive as well.
Anees Bazmee is the same guy who got the ball rolling in ‘Welcome’. He has come a long way down from there. Rajesh Chawla is the writer and before this he has written four other movies which has flopped and fifth time also does not seem to work.
The Soundtrack boasts of big names like Sonu Nigam, Armaan Malik, Tulsi Kumar, Vishal Dadlani and other stalwarts but the only song that works is ‘hawa hawa’ by Mika Singh. Rest all songs are to be played as background music at dead parties.
Verdict – No, we refuse compare Arjun kapoor with a potato and yes, thankfully Sanjay kapoor has a guest appearance – twice.
This movie deserves an applaud just for not showing another spider biting peter parker transforming to Spiderman sequence. There is no flashback or ‘uncle Ben’ and also aunt May is quite hot. We all know the origin story, but now that Spidy is an Avenger it makes a whole lot of sense to show how the teenage kid can fit into the marvel universe just before infinity war.
But there is Tony Stark in the movie and he is at his sarcastic best. There is a quick sequence shot in India as well (yay!…) But the show stealer is John Fraveau who plays Happy Morgan the perfect bored, uninterested and slightly loathing grumpy baby sitter.
Laura Harrier as the teenage crush fails miserably and Zendaya was hardly given any screen-space. One thing that I wanted to see was the upside down trademark spidy kiss (and it came sooo close in one sequence) Ned, as the confidante/side-kick is just about ok and Chris Evans as captain America features in lame educational videos.
Michael Keaton is the vulture – supposedly the villian, and in spite of everything anybody can relate to this guy. I mean…. You cannot ignore him; He is the batman after-all and has won 26 awards for the movie Birdman in 2014. He makes the character of Adrian Toomes/vulture so much believable.
The runtime of the entire movie is 2 Hours and 13 Minutes but there is not one slack moment. Making a movie 3rd time with 2 very successful franchises behind is a commendable job and Jon Watts does a pretty good job about it. Jon has directed ‘clown’ & ‘Cop Car’ prior to this movie. Both these movies have got average success in box office. So I guess this is his big ticket.
Verdict – watch it because it’s not a origin story and also because Tom Holland did a better job than Tobie Maquire and Andrew Garfield put together.
PS: Don’t wait for the post credit scene, its not worth the time.
Its good to know that like marvel & DC even Indian movies are getting into origin stories. The familiar characters portrayed in BABY (2015) resurface again minus Rana Daggubati who is busy with Bahubali2 release.
There is no doubt that Naam shabana is a no non-sense kick ass action thriller. The story starts with establishing the normalcy of the college going Shabana with a past. Manoj Bajpayee as the handler and recruiter is near perfect. The supporting cast include familiar faces including Anupam Kher and his ridiculous wig playing Shukla. Of course Akshay kumar had to be a part of this movie, how else would you establish the making of BABY-2 which I am quite sure is already in Neeraj Pandey’s pipeline.
The direction is handled by Shivam Nair. Shivam nair is more famous in the TV circuit. His notable contribution was ‘Sea Hawks’ of the 90s in DD Metro. But Neeraj Pandey has kept the Production, writing & screenplay to himself. Prithviraj Sukumaran plays the suave arms dealer, being the main baddie he could have been given more screen space as he is brilliant when it comes to negative roll (Kana Kandaen – 2006 tamil movie) and also can hold his own (Aurangzeb – 2013, Hindi)
Tapsee herself is absolutely fantastic; it’s difficult to acknowledge anything other than her when she is on screen. Her transformation from South masala movie heroine to character roles likes Pink and now this is truly mind blowing, The plot is tight, screenplay is crisp, the song ‘Zubi Zubi’remix is foot tapping. The action choreography is realistic along with the actors themselves.
A bit more editing to bring the entire movie under 2 hours would have made it more watchable. The climax mission could have been a bit detailed whereas the prep could have been cut shorter. As a result the execution is not that great
Verdict – If you liked BABY in 2015, you will like this as well
People who are tired of seeing Ilayathalapathy doing the same role with the same look of 3-day old stubble plz give me a cheer. That was the LOUDEST cheer I have heard in a while, thank you.
There is absolutely nothing new or unexpected in Vijay’s 60th movie. So, in this movie the hero Bairavaa is a loan collector. yes, that is apparently a job which requires him to wear tie to office. The damsel in distress is played by Keerthy Suresh who otherwise has nothing to do than look defiantly a few times, cry a little and of course dance in four songs.
Talking of the songs except the title song ’Varlaam Varlaam Vaa’ every other song is like a irritant sticking out from the entire narration and looks forced. Soul touching lyrics from Vairamuthu has been complete wasted. The background sound effects is very prominently noticed, hence they are not so much background I guess. There is however a song which is shot in the beautiful valleys of Switzerland, which tempts you to plan a vacation there.
The screenplay is really bad, the 1st half sort of keeps the audience a bit interested in the story but after the interval the movie falls with the velocity of Niagra Falls. The direction is pointless and editing is pathetic. Other than the lead pair the other characters have no depth and Jagapati Babu playing the villain is not scary at all, in fact he gives the impression of a soft grandfather who is surrounded with not so witty goons.
In conclusion, it has everything you can expect in a vijay movie – over the top action, half baked comedy, expected flashbacks, too much repeated punch dialogs, insignificant side actors and of course long preaching dialogs from Vijay which everyone hears with rapt attention…Yawn…..
Verdict – Varlaam Vaarlam Vaa Bairavaa……. Can go back in the same route plz.
There is a reason Amir Khan is called a perfectionist. Ignoring all the comments about Amir’s weight Dangal is a brilliant piece of art.
This is the biography of struggle by Mahavir Singh Phogat and his two daughters. A national level wrestler himself in his prime years Mahavir decides to realize his dreams through his daughters. This movie is crude, realistic and a tad bit rustic. The entirety of 2 Hours and 41 minutes the audience sits with rapt attention. Everything is just perfect – the severity, the comic relief, the emotion, even the local Haryanvi dialect spoken.
The hardwork put in by the girls is seen in plain sight, the sport choreography is very realistic and not even one song is out of place. Both girls Fathima Sana Shaikh and Sanya Malhotra are excellent casting discovery. Sakshi Tanwar as the silent, caring but helpless mother of four girls is brilliant.
Once again Amitabh Bhattacharya lyrics are very deep and Pritam hits the right notes. Title Song is by ‘Daler Mehandi’ and is pure brilliance (reminds a bit of rang de basanti title song) ‘Dhaakad’ by ‘Raftaar’ is also quite refreshing.
In conclusion – After a long time such a beautiful movie is on screen which has such a microscopic eye for detail, the first half has the energy of ‘Chak De India’ and the second half has the struggle of ‘Saala Khadoos’ but leaps and bounds better execution than either of these movies.
Verdict – haven’t booked the tickets yet?